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Somerset Hills Country Club

Somerset Hills Country Club

A.W. Tillinghast’s work at Somerset Hills reflects American golf architecture’s coming-of-age moment in the 1910s—youthful, fresh, and full of excitement

Somerset Hills Country Club
Location

Bernardsville, New Jersey, USA

Architects

A. W. Tillinghast (original design, 1916); Renaissance Golf Design (restoration work, 2009-present)

TFE Rating
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Private

price

$$$$

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Superintendent Series: Ryan Tuxhorn of Somerset Hills Country Club

Superintendent Series: Ryan Tuxhorn of Somerset Hills Country Club

Superintendent Series: Ryan Tuxhorn of Somerset Hills Country Club
about

Tucked away in small-town New Jersey an hour’s drive west of New York City, Somerset Hills is an understated club with an audacious A.W. Tillinghast golf course. In the decades after World War II, Somerset did a better job than most Golden Age clubs of preserving its architecture, but the gradual inward creep of mowing and tree lines had their usual effects. Starting in 2009, Tom Doak’s Renaissance Golf Design, with associate Brian Slawnik and superintendent Ryan Tuxhorn co-running point, restored the original dimensions and textures of the course, removing trees, expanding fairways and greens, and reintroducing native vegetation outside of the playing corridors.

In the “Additional Content” section toward the bottom of this post, you’ll find a Club TFE-exclusive mini-podcast featuring Andy and Garrett talking about the architecture at Somerset Hills. Make sure to check it out!

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Take Note…

A tale of two nines. The front nine at Somerset Hills wanders around an open hillside, whereas the back nine tumbles through a dense forest. Suitable to these distinct landscapes, the two nines follow different routing principles. The front has an interlocking structure, returning to certain landforms and creating gathering points; the back is more linear—a journey into the woods and back out. There’s a debate to be had about which nine is better.

The historical tour. It’s required in every Somerset write-up to mention the apple orchard that guards the first fairway and the racetrack earthworks that come into play on the first, fifth, sixth, and seventh holes. These “quirks” may be over-discussed, but they really do add to the character of the place.

One of these things is not like the others. There are 17 Tillinghast greens at Somerset, and they’re all terrific. The odd man out, the 10th green, was built by Hal Purdy when the club decided to extend the hole decades ago. It’s a straightforward elevated construction with a false front and a high back tier, and its ordinariness throws the brilliance of Tillinghast’s designs into relief. About 80 yards short of Purdy’s green, the exterior contours of the original are tantalizingly visible to the right of the fairway.

Course Profile

Favorite Hole

No. 14, par 4, 349-416 yards

Jesus, what a green. The front-right tongue, restored by Slawnik in 2010, appears to flow out of the natural downward movement of the land. Midway into the green, Tillinghast’s design seamlessly transitions into artificiality—a propped-up back portion, defined by a speed bump on the left and a backboard on the right. The pin position, which you can scout from the 13th tee, determines which side of the wide fairway you’ll want to favor off the tee.

Explore the course profile of Somerset Hills Country Club and hundreds of other courses

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Explore the course profile of Somerset Hills Country Club and hundreds of other courses

Course Profile

Favorite Hole

No. 14, par 4, 349-416 yards

Jesus, what a green. The front-right tongue, restored by Slawnik in 2010, appears to flow out of the natural downward movement of the land. Midway into the green, Tillinghast’s design seamlessly transitions into artificiality—a propped-up back portion, defined by a speed bump on the left and a backboard on the right. The pin position, which you can scout from the 13th tee, determines which side of the wide fairway you’ll want to favor off the tee.

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Overall Thoughts

When a 40-year-old A.W. Tillinghast designed Somerset Hills in 1916, he was several years away from his career-defining commissions at Winged Foot and Baltusrol. His style had not yet settled into a groove.

Similarly, golf architecture in America was still in its formative stages. One milestone was the debut of C.B. Macdonald’s National Golf Links in 1911; another was the 1917 opening of the Lido, Macdonald’s other tour de force on Long Island. George Crump’s Pine Valley, where Tillinghast had made important contributions, was coming together in spite of agronomic difficulties. But it wouldn’t be until the next decade that the U.S. Golden Age would fully arrive with Alister MacKenzie’s and George Thomas’s California designs and many of Seth Raynor’s and Donald Ross’s best-known efforts. So in the mid-10s, American golf course design was just coming of age—inexperienced, but also fresh and full of excitement.

This spirit is evident in Tillinghast’s work at Somerset Hills. He would build equally great courses later in his career, but he’d rarely match the playfulness of features like the “Dolemites” around the fourth and sixth holes or contours like those on the fifth, and 14th greens. (His greens at Winged Foot West are in the same ballpark.) This is golf architecture without the constraints of custom.

But it’s not without precedent. More than any other Tillinghast course, Somerset Hills reflects the influence of Macdonald and Raynor. There are both overt tributes—the Redan second, the punchbowl third, the principal’s-nose bunker complexes on 4 and 13, the Biarritz-like swale running through the 13th green—and subtle parallels: the grass-faced bunkers of varying shapes and arrangements, the overall preference for building key strategic features vertically rather than blending them into the grade. This isn’t to say that the design is derivative, more that it shows Tillinghast absorbing and adapting the leading ideas of his time. And it makes for fascinating golf.

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The seventh hole embodies many of the course’s strengths. This hefty par 4 at the southeast boundary of the property begins with an uphill tee shot. The old racetrack, basically a big trench, curves along the right edge of the fairway before crossing about 300 yards from the back tee. A drive that reaches the crest of the hill just short of the racetrack earns a clear view of the next shot—a long approach ideally played as a low runner, taking advantage of the downslope into the green. At first, the green looks simple, but when you get closer, you see a hollow toward the back that enables some tricky pin positions.

Here we have a little of everything. There’s place-based quirk (the racetrack), intimidation and difficulty (the tee shot), friendliness and fun (the approach), balanced demands for power and shotmaking (first shot vs. second shot), and concentrated bursts of bold design (the hollow).

The reason all of this richness is legible to golfers today is that the club prioritizes its history. As Thomas Dunne noted in an article for the Metropolitan Golf Association, Somerset’s mission statement consists of three commands: “preserve the integrity of the golf course; restore critical design features; and improve the efficient maintenance of the course and its surroundings.” If more courses were to adopt these precepts and take them seriously enough to hire talented stewards like Slawnik and Tuxhorn, golf architecture would be in a better place. -GM

2 Eggs

Full disclosure, we came close to adding an Egg and rating Somerset Hills among the very best golf courses in the world. That’s how good it is. But the land, while excellent, falls somewhat short of astonishing, and a few of the best greens, particularly the fourth and the 11th, don’t quite function as intended at modern speeds. (And to be clear, we’d advocate changing the speeds, not the greens!)

Additional Content

https://thefriedegg.com/wp-content/uploads/2023/01/Somerset-Hills-Club-TFE-Chat.mp3

Course Tour

Illustration by Cameron Hurdus

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