Southampton Golf Club
Seth Raynor's 1925 design provided local access to golf for those unable to join Shinnecock Hills or National Golf Links of America.
In 1923, a group of residents gathered to discuss the need for a third course in Southampton, New York, that would cater to those who could not access the prestigious Shinnecock Hills and National Golf Links of America. Nearly 15 years after Seth Raynor’s first foray into golf design with C.B. Macdonald at NGLA, he was hired to design a course just a stone’s throw away from it. Although the original plans for the course were drawn up by Raynor in 1925, his death in 1926 would leave his engineer, Charles Baird, to complete work on the course that would open for play in 1927.
By the late 1960s, the club brought in architect William Mitchell to “modernize” the golf course by removing cross bunkers, planting rows of trees adjacent to the fairways, and raising the greenside bunkers. These tactics drastically changed the course from its original Raynor look, but luckily the green surfaces were largely untouched. As the 21st century rolled around and the concept of restoring golden age designs was in vogue, Brian Silva created a master plan for the club in 2004. Over the next several years, the greens were expanded from their shrunken-oval shapes, hundreds of trees were removed, and the bunkers were rebuilt in the Raynor style.
Today, the course is a terrific representation of a Raynor design with templates galore: Short, Maiden, Knoll, Raynor’s Prize, Redan, Double Plateau, Eden, Long, Biarritz, Punchbowl, and Road. The routing dances between open expanses (Nos. 4-7, 12-18) and a forest (Nos. 2, 3, 8-11), which creates an adventurous journey across the property.
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Take Note…
Raynor’s club. Southampton proudly takes the claim as the only golf club where Seth Raynor was a member. He was born in the neighboring town of Manorville and spent the majority of his life as a resident of Southampton, working as a civil engineer developing the town before he got into golf design. He is buried next to his mentor, C.B. Macdonald, in the Southampton Cemetery just a mile up the road from the club.
For the people. Southampton was founded on the premise of being a country club for the local people, and that’s still the case today. While the famous neighboring clubs are made up of national members and New York elites, it’s local firemen, lawyers, golf superintendents, and everyday people who represent the majority of the membership at Southampton.
Windmill. The club’s charming windmill logo may have guests looking around for the structure as they play the course, but it actually resides in the center of town. This windmill logo was housed in a quadrant in the club’s original crest logo, which was eventually simplified to just the windmill, maintaining its connection to the town of Southampton.
Favorite Hole
No. 3 ("Maiden"), par 4, 413 yards
If I could, I would pick Nos. 3, 4, 5, and 6 as my favorites as this sequence boasts the most intriguing land and holes on the course. But I can’t, so we’ll go with the third.
The standout feature of No. 3 that my other “favorite” contenders don’t have is a fully blind tee shot. A rising slope that tilts left to right obscures the view from the tee, and a large bunker guards the inside of the dogleg, the ideal line to the green and flattest landing zone. Drives that veer slightly left will find the forest, and good drives in the fairway tend to have a downhill lie. The third green is a work of art with two very pronounced back plateaus–the defining feature of the maiden template.
Favorite Hole
No. 3 ("Maiden"), par 4, 413 yards
If I could, I would pick Nos. 3, 4, 5, and 6 as my favorites as this sequence boasts the most intriguing land and holes on the course. But I can’t, so we’ll go with the third.
The standout feature of No. 3 that my other “favorite” contenders don’t have is a fully blind tee shot. A rising slope that tilts left to right obscures the view from the tee, and a large bunker guards the inside of the dogleg, the ideal line to the green and flattest landing zone. Drives that veer slightly left will find the forest, and good drives in the fairway tend to have a downhill lie. The third green is a work of art with two very pronounced back plateaus–the defining feature of the maiden template.
This simple recipe that the third follows rarely fails to satisfy.
1) Blind shot
2) Strategy
3) Interesting green
What elevates this basic formula into becoming a noteworthy hole is the captivating landform and environment the hole plays over. From the tee, you are tucked into the trees and must play through a corridor that opens up to the expansive clearing of Nos. 4-7. This opening is a similar concept to when a narrow hallway leads into a grand, open space. The reveal elicits emotion. It’s an interesting and rare concept for a hole and how it fits into the golf course design, but it’s splendid, nonetheless.
While we are here, are there any design features or concepts from building architecture that remind you of golf architecture or vice versa? Drop your thoughts in the comments below, as this is something I ponder often.

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Overall Thoughts
Long Island is known for its sandy soil, dramatic land, and high density of world-class golf courses. It’s pretty hard to stand out if your name isn’t Friar’s, Shinnecock, or National. The best way to make an impression is to focus on doing what you do best, sort of like St. George’s Golf and Country Club, where the design squeezes everything out of the landscape it’s on without trying to imitate anything else. Similarly, Southampton Golf Club presents itself handsomely without trying to impress.
Right off the bat, Southampton shows its humble identity: a modest clubhouse off a busy highway and a very flat first hole with little visual appeal. This begins the routing journey that exhibits varying levels of intrigue and reprieve throughout each nine, like a multi-climactic movie with distinctly captivating scenes around which the story is built.
Following the ho-hum opener is a transitional par 3 “short” hole that introduces some flare to the design. The green is raised high from the surrounding land, and a subtle thumbprint depression on the putting surface creates various pin placements, none of which are particularly easy. From here, players cross a quiet neighborhood side street to a new section of the golf course. Like I mentioned in the “favorite hole” section, the third acts as a grand reveal to the open and undulating landscape of Nos. 4-7. This is the portion of the front nine where hole variety and complexity build upon themselves to create a very stimulating experience. This stretch also traverses the boldest land of the entire property with beautiful medium-large contours. The movement of the fourth fairway could be described as a “chaotic mess” in all good ways. The fifth is a tempting drivable “knoll” par 4 that’s sure to bait you into pity, and the stunning sixth, a well-bunkered “Raynor’s Prize” dogleg hole. Finally, the well-functioning “redan” seventh transitions you back into the forested area and closes out a stretch of very strong holes and quality land movement.
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The middle section of the course, including holes 8-11, wind around the flat forested area with an equal number of templates and original designs. While this section feels rather mundane compared to what was just seen, it doesn’t fail to keep you engaged with its subtly tricky green surfaces–a constant throughout the 18 holes. Reprieve is the feeling in this portion of the round.
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Once again, Raynor uses a transitional hole (the 12th) that tees off within the canopy of the trees and opens back up to a field housing the final stretch. Nos. 13-17 make up the climax of the second nine by cleverly using the slight changes in elevation to make a compelling finish. It’s fascinating how well these holes create interest with such minimal land movement, similar to Chicago Golf Club.
The 13th plays up and over a rise that occupies the landing zone in the fairway. Great drives get over the crest, while poor drives face an uphill lie. The flattest portion of this “farmland” section is home to the boldest hole design, the “biarritz” par-3 14th, with its deep swale bisecting the green. Playing back over the same rise as the 13th, the 15th presents a blind tee shot and an approach to a green that sits on the backside of the hill. Once again, a subtle rise in the land is skilfully utilized and then compounded with a tricky green that pitches away. Next up, the 16th provides the wow factor with its bold punchbowl green and profuse mounding before the 17th brings you down from this back nine high. A modest 18th hole, similar to the first, rounds out the day with a sigh of relief.
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Does Southampton have any world-class golf holes that absolutely knock your socks off? I don’t think so, but it never loses your interest by packing several holes into sections where the land is most varied. It then uses the trees and transitional holes to break up the journey to and from both expansive sections. Like many golden age designs, the greens are well varied throughout, with enough internal movement to keep the flat holes interesting. The welcoming, unpretentious Southampton makes for a phenomenal daily-driver golf course that consistently provides a compelling experience.
1 Egg
Southampton Golf Club is a stout 1 egg course. It doesn’t have the quality of land as its neighbors to the west, but a combination of design and presentation make this course better than the rest.
Course Tour

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